The sixteenth numbered major trump is called Le Feu du Ciel, the Fire of Heaven, and portrays a tower the battlements of which, in the form of a crown, are being destroyed by a bolt of lightning issuing from the sun. The crown, being considerably smaller than the tower which it surmounts, possibly indicates that its destruction resulted from its insufficiency. The lighting bolt sometimes takes the form of the zodiacal sign of Scorpio, and the tower may be considered a phallic emblem. Two figures are failing from the tower, one in front and the other behind. This Tarot card is popularly associated with the traditional fall of man. The divine nature of humanity is depicted as a tower. When his crown is destroyed, man falls into the lower world and takes upon himself the illusion of materiality. Here also is a key to the mystery of sex. The tower is supposedly filled with gold coins which, showering out in great numbers from the rent made by the lightning bolt, suggesting potential powers. In the pseudo-Egyptian Tarot the tower is a pyramid, its apex shattered by a lightning bolt. Here is a reference to the missing capstone of the Universal House. In support of Levi’s contention that this card is connected with the Hebrew letter Ayin, the failing figure in the foreground is similar in general appearance to the sixteenth letter of the Hebrew alphabet.

The seventeenth numbered major trump is called Les Etoiles, the Stars, and portrays a young girl kneeling with one foot in water and the other on and, her body somewhat suggesting the swastika. She has two urns, the contents of which she pours upon the land and sea. Above the girl’s head are eight stars, one of which is exceptionally large and bright. Count de Gébelin considers the great star to be Sothis or Sirius; the other seven are the sacred planets of the ancients. He believes the female figure to be Isis in the act of causing the inundations of the Nile which accompanied the rising of the Dog Star. The unclothed figure of Isis may well signify that Nature does not receive her garment of verdure until the rising of the Nile waters releases the germinal life of plants and flowers. The bush and bird (or butterfly) signify the growth and resurrection which accompany the rising of the waters. In the pseudo-Egyptian Tarot the great star contains a diamond composed of a black and white triangle, and the flowering bush is a tall plant with a trifoliate head upon which a butterfly alights. Here Isis is in the form of an upright triangle and the vases have become shallow cups. The elements of water and earth under her feet represent the opposites of Nature sharing impartially in the divine abundance.

The eighteenth numbered major trump is called La Lune, the Moon, and portrays Luna rising between two towers–one light and the other dark. A dog and a wolf are baying at the rising moon, and in the foreground is a pool of water from which emerges a crawfish. Between the towers a path

A CARD FROM THE MANTEGNA PACK.

From Taylor’s The History of Playing Cards. Among the more curious examples of playing cards are those of the Mantegna deck. In 1820, a perfect deck of fifty cards brought the then amazing price of eighty pounds. The fifty subjects composing the Mantegna deck, each of which is represented by an appropriate figure, are: (1) A beggar; (2) A page; (3) A goldsmith; (4) A merchant; (5) A gentleman; (6) A knight; (7) The Doge; (8) A king; (9) An emperor, (10) The Pope; (11) Calliope; (12) Urania; (13) Terpsichore; (14) Erato; (15) Polyhymnia; (16) Thalia; (17) Melpomene; (18) Euterpe; (19) Clio; (20) Apollo; (21) Grammar, (22) Logic; (23) Rhetoric; (24) Geometry; (25) Arithmetic; (26) Music, (27) Poetry; (28) Philosophy; (29) Astrology; (30) Theology; (31) Astronomy; (32) Chronology (33) Cosmogony; (34) Temperance; (35) Prudence; (36) Fortitude; (37) Justice; (38) Charity; (39) Fortitude, (40) Faith; (41) the Moon; (42) Mercury; (43) Venus; (45) the Sun; (45) Mars; (46) Jupiter; (47) Saturn; (48) the eighth Sphere; (49) the Primum Mobile; (50) the First Cause. The Qabbalistic significance of these cards is apparent, and it is possible that they have a direct analogy to the fifty gates of light referred to in Qabbalistic writings.

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