Levi likens the hanged man to Prometheus, the Eternal Sufferer, further declaring that the upturned feet signify the spiritualization of the lower nature. It is also possible that the inverted figure denotes the loss of the spiritual faculties, for the head is below the level of the body. The stumps of the twelve branches are the signs of the zodiac divided into two groups–positive and negative. The picture therefore depicts polarity temporarily triumphant over the spiritual principle of equilibrium. To attain the heights of philosophy, therefore, man must reverse (or invert) the order of his life. He then loses his sense of personal possession because he renounces the rule of gold in favor of the golden rule. In the pseudo-Egyptian Tarot the hanged man is suspended between two palm trees and signifies the Sun God who dies perennially for his world.
The thirteenth numbered major trump is called La Mort, Death, and portrays a reaping skeleton with a great scythe cutting off the heads, hands, and feet rising out of the earth about it. In the course of its labors the skeleton has apparently cut off one of its own feet. Not all Tarot decks show this peculiarity, but this point well emphasizes the philosophic truth that unbalance and destructiveness are synonymous. The skeleton is the proper emblem of the first and supreme Deity because it is the foundation of the body, as the Absolute is the foundation of creation. The reaping skeleton physically signifies death but philosophically that irresistible impulse in Nature which causes every being to be ultimately absorbed into the divine condition in which it existed before the illusionary universe had been manifested. The blade of the scythe is the moon with its crystallizing power. The field in which death reaps is the universe, and the card discloses that all things growing out of the earth shall be cut down and return to earth again.
Kings, Queens, courtesans, and knaves are alike to death, the master of the visible and a parent parts of all creatures. In some Tarot decks death is symbolized as a figure in armor mounted on a white horse which tramples under foot old and young alike. In the pseudo-Egyptian Tarot a rainbow is seen behind the figure of death, thus signifying that the mortality of the body of itself achieves the immortality of the spirit. Death, though it destroys form, can never destroy life, which continually renews itself. This card is the symbol of the constant renovation of the universe–disintegration that reintegration may follow upon a higher level of expression.
The fourteenth numbered major trump is called La Temperance, Temperance, and portrays an angelic figure with the sun upon her forehead. She carries two urns, one empty and the other full, and continually pours the contents of the upper into the lower, In some Tarot decks the flowing water takes the form of the symbol of Aquarius. Not one drop, however, of the living water is lost in this endless transference between the superior vessel and the inferior. When the lower urn is filled the vases are reversed, thus signifying that life pours first from the invisible into the visible, then from the visible back into the invisible. The spirit controlling this flow is an emissary of the great Jehovah, Demiurgus of the world. The sun, or light cluster, upon the woman’s forehead controls the flow of water, which, being drawn upward into the air by the solar rays, descends upon the earth as rain, to drawn up and fall again ad infinitum. Herein is also shown the passage of the human life forces back and forth between positive and negative poles of the creative system. In the pseudo-Egyptian Tarot the symbolism is the same, except that the winged figure is male instead of female. It is surrounded by a solar nimbus and pours water from a golden urn into a silver one, typifying the descent of celestial forces into the sublunary spheres.
The fifteenth numbered major trump is called Le Diable, the Devil, and portrays a creature resembling Pan with the horns of a ram or deer, the arms and body of a man, and the legs and feet of a goat or dragon. The figure stands upon a cubic stone, to a ring in the front of which are chained two satyrs. For a scepter this so-called demon carries a lighted torch or candle. The entire figure is symbolic of the magic powers of the astral light, or universal mirror, in which the divine forces are reflected in an inverted, or infernal, state. The demon is winged like a bar, showing that it pertains to the nocturnal, or shadow inferior sphere. The animal natures of man, in the form of a male and a female elemental, are chained to its footstool. The torch is the false light which guides unillumined souls to their own undoing. In the pseudo-Egyptian Tarot appears Typhon–a winged creature composed of a hog, a man, a bat, a crocodile, and a hippopotamus–standing in the midst of its own destructiveness and holding aloft the firebrand of the incendiary. Typhon is created by man’s own misdeeds, which, turning upon their maker, destroy him.
Moe is the founder of GnosticWarrior.com. He is a father, husband, author, martial arts black belt, and an expert in Gnosticism, the occult, and esotericism.
